Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
The House and garden at Stowe,as they were before Lord Cobham-s alterations of the 1720s

ID: 48565

unknow artist The House and garden at Stowe,as they were before Lord Cobham-s alterations of the 1720s
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unknow artist The House and garden at Stowe,as they were before Lord Cobham-s alterations of the 1720s


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unknow artist

  Related Paintings of unknow artist :. | Portrait of Philip IV | Retour de chasse. Portrait d'une famille strasbourgeoise | European city landscape, street landsacpe, construction, frontstore, building and architecture. 269 | Portrait of a nobleman,half-length,seated,wearing a red tunic and the badge,star and sash of the order of the white eagle of poland | sir john franklin ledde fyra arktiska expeditioner |
Related Artists:
Johann Kaspar Scherrer
painted Weidelandschaft in den Schweizer Bergen mit Katarakt und Gebirgshorizont in 1739 - 1806
Pieter Vanderlyn
Dutch-born American Colonial Era Painter, ca.1687-1778 American colonial painter, b. Holland. He reached New York c.1718 and became a portrait painter and land speculator and practiced other trades, settling in Kingston, N.Y. The portrait most certainly ascribed to him is that of Mrs. Petrus Vas, his mother-in-law. John Vanderlyn was his grandson.
Jean Baptiste Camille Corot
1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.






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